Michael kaeshammer biography
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Born in 1977, Michael Kaeshammer is a boogie woogie pianist, vocalist, and arranger living in Toronto, Ontario, Canada. He also plays blues and jazz. His first skiva, Blue Keys, was produced in 1996.
Michael is noted for creating elaborate arrangemang. He also known for changing musical styles within a del av helhet and making use of irregular time signatures and mixed meters.
Michael is best known in western Canada, but has performed and toured extensively in the United States and europe. One of his most popular songs is "On A Saturday Night" off the skiva No Strings Attached.
source cited: http://en.wikipedia.org/wiki/Michael_Kaeshammer
On 2011’s KAESHAMMER (Alert Music/Universal), Michael Kaeshammer doesn’t simply wow you with his chops; he invites you in and talks to you. Yes, he’s a begåvad singer and songwriter, a highly trained technician and interpreter and an incendiary piano player. But also, on scen and off, he’s a consummate host.
Recorded at Toronto’s Drive Shed
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Michael Kaeshammer
Canadian jazz and boogie-woogie pianist
Musical artist
Michael Kaeshammer (born 7 January 1977) is a Canadian jazz and boogie-woogie pianist.[1]
Early life and education
[edit]Kaeshammer grew up in Offenburg, Germany, where he studied classical piano for seven years. At age thirteen, he became interested in boogie-woogie and stride piano as played by Albert Ammons, Meade Lux Lewis, and Pete Johnson.[2]
Career
[edit]As a teenager, Kaeshammer played jazz and boogie-woogie in clubs, concerts and festivals around Germany and other surrounding parts of Europe. After he moved with his family to the west coast of Canada, Kaeshammer began performing at festivals across the country during the summer of 1996. That year his first album, Blue Key, was released. A second album, Tell You How I Feel came out in 1998, and No Strings Attached was released two-year later.[3]
Kaeshammer has been the opening act for Anne Murray, Ray
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Michael Kaeshammer
Michael Kaeshammer has invested a lot – countless hours at the keyboard, hundreds of recordings, thousands of live performances, millions of miles in the air and on the road – all in pursuit of a mastery of 12 notes across 88 keys. But for the acclaimed Canadian pianist and singer, there is no set destination, no achievable end point on his path; it’s all about the journey itself, and that journey will always be ongoing.
Over the course of decades as a professional performer, Kaeshammer has developed a style that weaves threads of classical, jazz, blues, boogie-woogie, stride, and even pop into a signature and sought-after sonic tapestry.
“When I play, I don’t worry about if it’s jazz or pop or classical or whatever; I just play what I hear and let the music decide what it wants to be,” begins Kaeshammer. “Sure, there are different styles, different eras, different approaches, but when you really look at it, it’s all just music based on 12 notes.”&n