Jean antoine watteau wikipedia shqip
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Pierrot
Pierrot oli üks commedia dell'arte tüüptegelasi (itaalia keelestipi fissi).
Pierrot oli äratuntav üleni valge ja oma kehale liigsuure riietuse järgi. Itaalia teatritrupid (Comédie italienne), mis tegutsesid Pariisis alates 1570. aastatest ning olid sajandiga mugandanud itaaliakeelsed näidendid prantsuse keelde, keskendusid rohkem füüsilisele komöödiale kui sõnamängule, teisendasid ja lisasid tegelaskujusid.
Pierrot oli üks prantsuspärastest lisadest, tema eelkäijaid on mitu: itaalia Pulcinella (kandis samuti lohvat valget kostüümi, aga ka valget pika ninaga maski), Molière'i näidendi "Don Juan, ou le Festin de pierre" talupojast tegelane ja Gilles lihtsameelne (ta oli Pierrot’ga väga sarnane nii riietuselt kui ka karakterilt ja neid on hiljem tihti segi aetud). Pierrot oli zanni ehk meesteenrist tegelane, kelle iseloomujoonteks olid laiskus, aeglus, õgardlus ja lihtsameelsus, mida vürtsitasid üksikud vaimuvälgatused. Pierrot' lihtsameelsusest tingitud ju
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Category:Pierrot
"Anzac Coves", an Australian Pierrot troupe at the Front consisting entirely of soldiers (17624961255).jpg 1,000 × 633; 248 KB
-Crying Pierrot & Moon-, c. 1890s. (50040451932).jpg 1,000 × 1,579; 913 KB
0130 SW U379-WGC Aschermittwoch.jpg 1,181 × 1,772; 1.64 MB
147 Nino Pierrot, sala de fransk artikel diversions, gabinet del col·leccionista (Museu Marès, Barcelona).jpg 2,112 × 2,816; 2.15 MB
Zak Pierrot.jpg 1,300 × 1,753; 1.53 MB
1935 Clown (Pierrot).jpg 751 × 1,049; 935 KB
1990 Clown with Flower (Pierrot and Columbine).jpg 1,134 × 1,463; 1.01 MB
2008 MOONCLOWN V1.jpg 1,280 × 754; 112 KB
2e Parade - 1793L'Orateur Populaire ou vivre libre ou mourir, Paris Musées 20230811073233.jpg 4,404 × 3,420; 6.82 MB
A female figure comes out of a cupboard on top of which thre Wellcome V0042259.jpg 1,949 × 3,617; 2.66 MB
A Willette - ma chandelle est morte.jpg 1,098 × 1,806; 504 KB
Adolphe Léon Will
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The Art and Tradition of Japanese Carpentry
Today, I met my brother at the Japan House in Hollywood. He drove in from Palm Desert, where he is a builder whose specialty over the years has been working with wood. On display at the Japan House through January 22, 2025 is an exhibit entitled “Masters of Carpentry: Melding Forest, Skill and Spirit.” It was an awesome display of the beauty and intricate detail that is the art of Japanese carpentry.
According to the handout describing the exhibit:
The exhibit is structured around 5 pillars of daiku [Japanese woodworking masters] culture: a reverence for nature and the Japanese forest, the master carpenters’ refined tools, the practice of dōmiya daiku—the temple and shrine carpenters, kigumi— the strength and beauty of Japanese joinery, and the work of the sukiya daiku—the skillful carpenters employing natural materials to detail and finish teahouses.
What impressed me the most were the exhibits of the intricate joine