Probir gupta biography of abraham
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About Visual Artist Ghanshyam Gupta
Education:
- 2015 Summer Residency program and education at the New York Academy of Art at Manhattan, New York City.
- 1997 M.A. Fine, Printmaking, Royal College of Art, London
- 1993 M.F.A. Printmaking, M.S. University of Baroda
- 1989 B.F.A., Painting, Govt. School of Art, Aurangabad
Scholarships:
- 1995-97 INLAKS Foundation’s scholarship for M.A. (Fine) at the RCA, London
- 1995-96 Po-Shing Woo Foundation’s scholarship, Hong Kong
- 1990 Ministry of HRD, Govt. of India’s scholarship for young talents in different cultural fields Fellowship
- 1989 Fellowship Government School of Art, Aurangabad
Show Curates by me:
- 2023 Mumbai art Expo,At The Bombay Presidency Radio club, Colaba, Mumbai
- 2022 ART OF INDIA. SPACE, ART EXPO 2022, At Hall of Knowledge, Discovery Of India Building, Ground Floor. Worli, Mumbai.
- 2019 India Art Times, "Sculpture Exhibition, 2019" Radio Club Seafront next to Gateway of India and Ta
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Interview with Rafal Marszalek, Chief Editor of Scientific Reports
In-house Editors
Chief Editor: Rafal Marszalek, PhD; Springer Nature, UK
Rafal's background fryst vatten analytical and biological chemistry. He did his PhD and postdoctoral research in single-cell proteomics at Imperial College London, UK. He was an editor at Genome Biology before joining Scientific Reports in August 2016.
ORCID 0000-0003-0316-1363
Deputy Editor: Elizabeth Mann, PhD; Springer Nature, UK
Elizabeth has a background in pharmacology and completed her PhD in neuropharmacology at King's Col
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Art Radar Asia
A common man uncommonly direct – Indian contemporary sculptor Subodh Gupta in conversation in Hong Kong
Posted by artradar on December 6, 2009
CONVERSATION SUBODH GUPTA INDIAN CONTEMPORARY ART
New Delhi-based contemporary artist Subodh Gupta is not backward in coming forward with his views. Smiling firmly, he chose not to respond to introductory remarks made by moderator William Pym, Managing Editor of Art Asia Pacific magazine at a talk hosted as a side-event of the Christie’s Hong Kong autumn 2009 auctions .
Instead he turned to face the audience: “Let me tell you all clearly why I am here today. Originally this was supposed to be a one-on-one talk with Art Asia Pacific. I was happy about that. But then it turned into a group talk hosted by Christies. I prefer to work with curators, writers and critics rather than auction houses”. Christie’s Hugo Weihe, International Director of Asian Art who was sitting in the front ro